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DIGITAL PREJUDICE

 
Received a letter from a filmmaker about "Blood Kiss" and I am quoting some of it below. It was along the lines of why did Prelude2Cinema choose to shoot in digital rather than 16mm as intended. I am including our response in full. And as well, I am including some articles about the acceptance of Digital Video as a viable format. News on Digital Movies

Dear Alex,

I read the two reports on your website concerning BLOOD KISS. Congratulations on getting the feature finished.

My one problem with the REEL REPORT is that it stated you were shooting BLOOD KISS in 16MM color film. What happened to make you change to video? I have nothing against video, but why was it stated that you planned to shoot in film, thereby raising some people's expectations of the final release format of the project. I mean, with 16MM you could then blow up to 35MM for a theatrical release and have something for the foreign market. But shooting in video your options for showing it in a theater, for now, are very limited, since many, many theaters are not going to change over to digital projection yet because of the cost. And I know most filmmakers's hope is to have a movie in theaters for some kind of recognition before going to home video or DVD status.

Anyway, again I congratulate you on finishing the feature, and I wish you lots of luck with it.

A Short List of Festivals that accept Digital Movies
Sundance Film Festival
Slamdance Film Festival
No Dance Film Festival
Resfest
For more film festivals that accept digital movies, go to www.filmfestivals.com
Our Response Digital News

The decision to go digital with "Blood Kiss" came down to a choice with the company of whether to spend all our money on one movie or to choose to have the equipment to do other movies and whether or not we would rely on the traditional routes of distribution. Yes, many filmmakers dream of finishing in 16mm, blowing up to 35mm and then a theatrical release and a three picture deal, but honestly how many movies really achieve this?

 

Have you achieved the filmmaker holy grail (the three picture deal and our theatrical distribution for you feature)?

 

In fact, after discussing things with my producers, it was the year that Sundance began to accept digital movies. We decided to go digital and move into distribution ourselves.

 

In fact, Prelude2Cinema is getting ready to distribute a movie titled "Draining Lizards." It was shot on 16mm. It is a British film noir/ kung-fu comedy. Also we are getting ready to release "Blood Kiss" after the screening. The movie will probably be released on DVD. There are a lot of extra scenes we shot and the entire movie was storyboarded. The storyboard will come out in book form before the screening.

 

As to "people's expectations of the final release."  If I had my way, I would probably shoot in 35mm with Panavision, but...I am fortunate just to have finished the movie.  I love film. I shot a short in 16mm right before "Blood Kiss" and aesthetically it was pleasing, but financially it was not.

 

I did embrace the aesthetics of digital and it can be a beautiful looking format. It is not film, but so what. I have a friend who just finished a movie that it took her six years to raise the money for and yes, she shot in film and yet she is editing digitally. She expects to have it done in a year (perhaps). Seven years on one project may please some people.

 

Yet, Prelude2Cinema chooses to make movies. We are seeking funding for a new studio and we will shoot digital movies, but the budgets will allow us to shoot in film as well. Although the movies may be finished digitally. And we will distribute all our movies. I think a lot of filmmakers finish a movie and then wait for that holy grail and then it doesn't come and they go back to their day jobs.

 

Well, I have some show business work to do, but I wish you well with your movies.

 

Sincerely,

Alex P. Michaels

 

Although is it is the new High Definition Format, George Lucas chose to shoot the new Star Wars using digital technology instead of film.
Magazines such as Time, Wired and others have included articles on Digital Moviemaking
4 More Digital Info, CLICK HERE.
 
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